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Review Published on Southwest Blues web site

Walter Trout and the Radicals
Go The Distance
(Ruf 1067)
Walter Trout's ability to play frenetic guitar breaks made him a sought after sideman for John Lee Hooker, Big Mama Thornton, John Mayall and Canned Heat. This resulted in a mass European following. Now, the Southern California resident is finally starting to get recognition in his native U.S. He regularly is on the bill at the nation's largest blues festivals where he has gained a reputation for delivering smoldering and stunning sets. Let's get one thing straight - Trout is a high-energy, electrifying, blues-rocker who is very light on the blues. If you are still reading this then you must have learned to appreciate diversity from the 12 bar university.
His 'hoarse throat' vocals are gritty and scratchy and at times are as cutting as his plentiful, patented, scorching guitar solos. What separates this 63-minute, all-original CD from his previous ones is the inclusion of several non-blues-rock numbers, which reveal a side of his personality that we have not seen. "Faithful" is a country and 'down-on-the-bayou' sounding track thanks to the accordion of Rick Steff. Trout ascertains romantic vocal harmony with Trisha Freeman while delivering touching, heart-warming solos. "Bugle Billy" is an acoustic, biography with predictable words that keeps the rhyme pattern from breaking. Nonetheless, if you don't have misty eyes by the end of the song, you have no soul. Things remain unplugged for the eloquent and simply beautiful "Always Been A Dreamer".
His backing band is no longer 'free' and they come with the extraordinary B3 organ/keyboardist Bill Mason. Time and time again he meets or exceeds Trout's guitar playing. Listen for yourself on "Ride Till I'm Satisfied" and the Allman Brothers flavored "Message On The Doorway". You won't believe the notes that Pat Register manages to blast from his sax on "Outta Control". The environment is inspirational and biblical on "Lookin' For The Promised Land". Here, Trout's many backing singers have the strength and sound of a gospel choir. The 'never quit' inspiration continues with the autobiographical title track. The song's lyrics prove how committed Trout is to his cause. It's a slow burner that incinerates all in its path.
This is a disc that speaks volumes to the Trout faithful and skeptical. For years, he has been shunned by the blues crowd because he plays too much rock. Similarly, he has been bypassed by the rock crowd because he plays too much blues. Trout himself proclaims, "I don't think you'll see a more harder rocking band than my band live." Jim Gaines has produced a raw, thumping sound. If you enjoy heavy music delivered with kicking guitar and organ, this one is for you.
- Tim Holek
November 2001 Southwest Blues
 
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