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©
published
March 27, 2000
By CHRISTOPHER BLANK
ST. PETERSBURG -- For parched lawns and thirsty flowerbeds, Sunday
morning's rain was a great blessing. But for blues lovers, the blessings
were mixed. Dark clouds over Vinoy Park threatened to wash out the final
acts of what, so far, had been the best Tampa Bay Blues Festival in the
six-year history of the event.
The rain came. Then the clouds parted, and the afternoon brought a lineup
that included headliners Walter Trout and Susan Tedeschi.
With a coveted array of superb musicians, this was the year the sun
finally came out on the Tampa Bay Blues Festival.
According to Bob Vorel, publisher of Blues Revue magazine, no other
American blues festival before Memorial Day could boast the roster of
national acts this year. "This is quickly becoming a world-class
festival," Vorel said backstage. "The music is fantastic; and
more importantly, Tampa Bay is showing that it has a fan base that
appreciates the blues."
The festival brought a diverse group of players Sunday, and a few
surprises as well. Carl Weathersby played a rousing set, attired in his
purple suit. He was followed by the Paul deLay Band, which perhaps
performed just under the energy level of previous acts. Though he mostly
sang through his set, we might have expected gutsier harp work from the
Oregon bluesman.
Few of the weekend's performers would have been able to top Sunday's most
fiery act, Walter Trout. From the moment he was introduced, the guitarist
struck out on a no-holds-barred mission to eke every possible sound from
his instrument's steel strings. In a poll taken by the BBC, Trout (who is
big in Europe) was named the sixth best guitarist in the world. He came in
just behind Jimmy Page. It was easy to see why. The two players sound
similar, though Trout always seems to go full throttle, while Page likes
to wax more on the slow material. One of his slower tunes kept the
audience spellbound before before it erupted into a heated rock and blues
tune.
Careful listeners may have spotted Trout's penchant for throwing in
familiar musical phrases, such as an electrified take on Beethoven's Fur
Elise, or Gershwin's Rhapsody in Blue. Like Saturday night when Robert
Cray followed guitarist Coco Montoya, a somewhat less raucous performer,
Susan Tedeschi, followed the crowd mover. The Grammy nominee experienced
some sound problems at the beginning of her set. First, a stage monitor
wasn't working, while the vocals in the pit were too soft. But she
finished gracefully and concluded the festival on a high note.
To read another report click St.Pete's online 

Hi Walter and Gang!
You guys were the greatest at the festival in St Pete! .. I knew you
would be and I was on a mission to tell everyone to be sure to get up by
the stage.. I took some pictures of you and have posted several of them on
a web page.. if you care to look at them, they are at
www.redrules.com/festival.html
Carol

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